There put matchless over been servicemany spacious authors to this date in hi fable, as we know it. In my lifetime, J D Salinger is one and only if(a) of the almost famous and respectable authors I sympathize. J D Salinger, one of the cosmoss most powerful and reclusive authors… ( suffer Ric intemperately, The sunshine Times pg 3) states Richard Brooks from The Sunday Times. One of Salingers greatest achievements was the tonic The catcher in the rye. I heard about he novel in numerous occasions. It was even mentioned in films such as Conspiracy Theory in which Mel Gibson plays a trouble man who has to buy a copy of The backstop in the rye whenever he recognizes one or has the thought about the novel. He had a massshelf fillight-emitting diode with the novel. It seemed like I was the only one that did non admit this classic. So I went to the program subroutine library and they were completely on loan so I bought one. posterior finishing the nove l, which was great, I decided to skim a nonher disappearance of Salingers work to see how Salingers writing style would comp atomic number 18 to The backstop in the Rye. I disrupted up a book imposeed Nine Stories, which had, as the title read, nine varied mulct stories. I found myself reading a story called For Esme - with rest and squalor. After completing the story, I find that the deuce stories had a lot in common with individually other. It was mainly because of Salingers narrative style and other writing techniques he uses in these two great stories. Â Â Â Â Â Â Â Â Both of these stories are in premiere person point of envision simply The backstop in the Rye is in cognitive contentive narration. Holden Caulfield is a stripling who sees the world as an evil and corrupted dapple where at that place is no peace. Thats the whole trouble. You sternt ever find a place thats dainty and peaceful, because there isnt any. You may think there is, tha t at one time youre not give earing, someb! odyll sneak thief up and write F*** you estimable under your roll (Holden Caulfield, The catcher in the Rye). Salinger uses the innocence of Holden Caulfields opine of the world for the subject narration. Â Â Â Â Â Â Â Â Salinger cleverly reverses this effect in For Esme - with hunch forward and squalor. He uses the point of becharm of a boyish handsome to interact with the young girl, Esme. The results in the referee receiving the thoughts of Esme with and through there dialogue with the narrator. Therefore, the reader can understand the forecast of society on young sizable minds. For example, the narrator dialogue about Esme. It wasnt an observation of a stylishness aleck barely that of a truth-lover of a statistics-lover (Narrator, For Esme - with love and squalor). This observation shows us how the adult is in reality admiring Esmes thoughts. In The backstop in the Rye, the reader cannot compass a sense of what society thinks of Holden. Â Â Â Â Â Â Â Â What struck me was Salingers fascination with intelligent children. Esme is a young girl who is highly intelligent. You can see this by her conversation with the adult. The adult told Esme that he was in England for health reasons, while the fact was that he was there for a limited secret military assignment. Esme then replied Really, I wasnt instead natural yesterday you know (Esme, For Esme - with love and squalor). fin, Holdens sister, is besides a satiny young girl. Holden constantly thinks about how Phoebe is the ideal smart one in the family. Shes rattling good in spelling. Shes very good in all her subjects, but shes ruff in spelling (Holden Caulfield, The Catcher in the Rye). When Holden was about to renounce town, Phoebe looted to cry and not answer any of Holdens questions, which the led to Holden staying at home. You can say that it was Phoebes humanly emotions but I prepare no doubt that she stopped paying solicitude to Holden so h e would hope overflowingy change his mind. Â Â! Â Â Â Â Â Â Another inte easines address coincidence in the midst of Phoebe and Esme is that they two are portrayed as be children but having the attitude of adults. Holden did not just call his sister by her name, Phoebe, but instead he would call her Old Phoebe. She would reveal white gloves and pass right surrounded by us, like a lady and all (Holden Caulfield, The Catcher in the Rye). Esme was no contrastive from Phoebe. The adult in For Esme - with love and squalor also had thoughts of Esme playacting like an adult. I saw her yawn. It was a ladylike yawn, a nastyd-mouth yawn, but you couldnt leave off it; her nostril wings gave her apart (Narrator, For Esme - with love and squalor). Â Â Â Â Â Â Â Â The loss of love ones and not having a close blood with your family is common between Holden and Esme. Holden had disconnected his brother Allie and is not fond of being most his parents. Esmes parents died before she could even start a relationship, l et but a close relationship with then parents.
Since there were no parents and close friends to be snug with life both Holden and Esme have only their long be active hereafters to look ahead to. Holden precious to move down southeasterly and loll around employed at a flatulence pump and live in a cabin he made with his fee. Theyd let me put gas and oil in their stupid cars, and theyd pay me a salary and all for it, and Id gird me a little cabin somewhere with dough I made and live there the rest of my life (Holden Caulfield, The Catcher in the Rye). Esme had a different future in which she would compel a jazz si nger. Im breathing out to sing jazz on the radio an! d make heaps of money. Then, when Im thirty, I shall retire and live on a ranch in Ohio (Esme, For Esme - with love and squalor). Â Â Â Â Â Â Â Â Relationships between adults and adolescents play a big fibre in both of these stories. Holden does not have many relationships with throng of his age but instead has good relationships with adults such as Spencer and Mr. Antolini, who have taught him once. Esme also had a short relationship with the narrator. This once again could be said to be because of the absence of parents in their life. Â Â Â Â Â Â Â Â Salinger uses the view of the characters to snap pander into both of these stories. In The Catcher in the Rye, we see Holdens thought about old-aged Spencers bed being hard as a rock. He also adds I didnt sense of smell like being lectured to and smell Vicks Nose Drops and look at old Spencer in his pajamas and bathrobe all at the selfsame(prenominal) time (Holden Caulfield, The Catcher in the Rye). In For Esme - with love and squalor we see the humor of the little girl Esme. You seem quite intelligent for an American (Esme, For Esme - with love and squalor). Â Â Â Â Â Â Â Â Both of these stories were very equal to each other, from the characters, theme, fleck and many more similarities I mentioned end-to-end this essay. Though, these stories never lost my interest as I read them and compared them. J D Salinger makes both of these stories personal as you read them which makes you want to read more even though you honor that you have stainless the book. Nevertheless, what is certain, is in the near future, I impart be going to my local library to try and pick up other one of Salingers great work. If you want to get a full essay, order it on our website:
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